A Man Called Adam released in 1966 stars Sammy Davis Jr., Ossie Davis and Cicely Tyson. The scene was cool, the jazz was hot, and he was kind. A tormented jazz trumpeter makes a downbeat comeback with a civil-rights activist and her grandfather. Includes Louis Armstrong, Frank Sinatra Jr., Mel Tormé and Peter Lawford. Music by Benny Carter.

Academy Award-winning actor Denzel Washington gives a riveting performance in Spike Lee's breathtaking film on music and love. Talented trumpeter Bleek Gilliam (Washington) is obsessed by his music and indecisiveness about his girlfriends Indigo (Joie Lee) and Clarke (Cynda Williams). But when he is forced to come to the aid of his manager and childhood friend (Spike Lee), Bleek finds his world more fragile that he ever imagined. Stunning cinematography, a rousing score and superlative performances come together in this unforgettable feast for the senses.

Danny Kaye shows off his keen musical sense in the lead role of The Five Pennies, the life story of cornet master Red Nichols--or at least the Hollywood version of Nichols'd life. The movie gets off to a kicky start as Nichols joins a big-city band, meets his future wife (Barbara Bel Geddes), and sits in on a speakeasy session with Louis Armstrong. Armstrong's in the movie a lot, and there are smaller roles for other musical names such as Bob Crosby and Ray Anthony. The tunes include a batch of standards but also new songs written by Sylvia Fine, Danny Kaye's wife and the creator of his signature wordplay routines. The film's main dramatic device--that Nichols eventually sacrifices his career to care for a sick daughter--must be slogged through while the decent jazz sequences come and go. Whether you're a Danny Kaye fan or not, this film emphasizes his very real musical "touch" (in his manner, not his cornet playing; Red Nichols dubbed the horn himself). It also proved Kaye could handle melodrama at least as easily as frantic comedy, and yet this 1959 film was near the end of his run as a movie actor. Director Melville Shavelson, most associated with comedy, does an atmospheric job of staging the jazz numbers, especially in the colorful clubs. This is well-served by a snazzy transfer to DVD--even the opening credits are a treat, a cool example of late-1950s graphic design. --Robert Horton

A new bride faces the strain of life on the road in this musical romance that features the Glenn Miller Orchestra. Miller is featured as band leader Gene Morrison, who embarks on a whirlwind national tour with his orchestra. While on the tour, trumpeter Bill Abbott (George Montgomery) impulsively marries one of his many ardent fans, a naïve young women named Connie (Ann Rutherford). At first Connie is more than willing to put up with such problems as not spending time with her new husband and the malicious gossip of other wives. But when she comes to believe that Bill is still involved with an old flame, the ensuing quarrel threatens to end both the new marriage and the entire band.

With a secondhand trumpet and the loving guidance of a brilliant bluesman, a lonely boy grows into manhood as a superb musician whose talent carries him from honky-tonks to posh supper clubs. But his desperate search for an elusive high note – trapped in his mind but impossible to play – starts him on a boozy downward slide. Charged with dynamic performances by Kirk Douglas (the title role), Doris Day, Lauren Bacall and Hoagy Carmichael, and pitch-perfect direction by Michael Curtiz (Casablanca), the film is a feast of hot, cool, moody jazz. Legendary Harry James dubbed Douglas’ hornwork. Day brings another fine instrument – her voice – to four standards. Movie and music lovers will be glad to meet this Man.